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Literature Text
Memory is;
An androgene with an attitude problem. A black v-neck t-shirt; dark wash jeans slung low, white stitching around the hems and the pockets barely visible. S/He stands on the streat; hands pocketed, shoulders slumping, denim creases visible across slender thighs. Angular. Flipping cigarette butts from between long fingers – grinding them into the asphalt with a casual stomp. He is
A rogue; a thief; a pickpocket. An unwanted face at a window. He dwells at the edges of nightmares; shapeless: unnamed. He is fear itself. Occasionally, somehow sequestered to answer to the powers-that-be; the law of your anarchic mind; he takes the witness box against his will. His sullen shrug answers nothing, but in that movement:
You feel the bones bend in his back; the vertebrae crack, and you know him. The beautiful burgular who sneaks at walls, and he is not to be trusted. His ambivalence marks what it hides. For he knows
Your ins-and-outs like a blueprint; he could mark on a map all the places you ache. He can feel them from inside, like hands on a wall groping at a switch: in the manner of someone accustomed to such dark places; small spaces. He knows your mind like late-night alleyways, and the gaps between bins when the corner stores call their fluorescent defiance to the slumber of the urban throng. He took your life: such a perfect criminal that until that moment where
He felt your heart beat,
wet and warm between his fingers
You never even noticed. All you had were slight twinges, fringes – bootprints and barbed wire – trapdoors, triggers, traces. Faces: the distant ring of alarm bells and helplessness: just an inkling, a scribble on a page in a drawer. Then, faced with a four-foot fall, you felt his grip and realised
Your chest was a cavern. All your best defences had failed, because you gave in. Once in your life you ceased to be an enigma and stood instead, naked, riddled with holes. You gave the crack, the cipher, to a girl. And you gave her the key to your
Rib cage. Or that's what he says, memory. A loiterer: in the deserted city of graffiti and boarded-up windows, nothing but the hum of a generator and a far-off siren. He stands and strikes a pose: flirting the line between carefree and careless; inscrutable. But we know he's a rat, the centre of this destruction, the calm in the eye of this storm: and he betrays two things:
You, and
A hint of satisfaction.
An androgene with an attitude problem. A black v-neck t-shirt; dark wash jeans slung low, white stitching around the hems and the pockets barely visible. S/He stands on the streat; hands pocketed, shoulders slumping, denim creases visible across slender thighs. Angular. Flipping cigarette butts from between long fingers – grinding them into the asphalt with a casual stomp. He is
A rogue; a thief; a pickpocket. An unwanted face at a window. He dwells at the edges of nightmares; shapeless: unnamed. He is fear itself. Occasionally, somehow sequestered to answer to the powers-that-be; the law of your anarchic mind; he takes the witness box against his will. His sullen shrug answers nothing, but in that movement:
You feel the bones bend in his back; the vertebrae crack, and you know him. The beautiful burgular who sneaks at walls, and he is not to be trusted. His ambivalence marks what it hides. For he knows
Your ins-and-outs like a blueprint; he could mark on a map all the places you ache. He can feel them from inside, like hands on a wall groping at a switch: in the manner of someone accustomed to such dark places; small spaces. He knows your mind like late-night alleyways, and the gaps between bins when the corner stores call their fluorescent defiance to the slumber of the urban throng. He took your life: such a perfect criminal that until that moment where
He felt your heart beat,
wet and warm between his fingers
You never even noticed. All you had were slight twinges, fringes – bootprints and barbed wire – trapdoors, triggers, traces. Faces: the distant ring of alarm bells and helplessness: just an inkling, a scribble on a page in a drawer. Then, faced with a four-foot fall, you felt his grip and realised
Your chest was a cavern. All your best defences had failed, because you gave in. Once in your life you ceased to be an enigma and stood instead, naked, riddled with holes. You gave the crack, the cipher, to a girl. And you gave her the key to your
Rib cage. Or that's what he says, memory. A loiterer: in the deserted city of graffiti and boarded-up windows, nothing but the hum of a generator and a far-off siren. He stands and strikes a pose: flirting the line between carefree and careless; inscrutable. But we know he's a rat, the centre of this destruction, the calm in the eye of this storm: and he betrays two things:
You, and
A hint of satisfaction.
Literature
A word about haiku - MS James
A word about haiku - by Michael James
I believe there are a few basic precepts about haiku that are largely overlooked, or just flat out just not taught in most basic literary (poetic) courses. Everyone seems to know that a haiku is supposed to be written in the structure of 5-7-5 syllables per line respectively, but there is much more going on than just a simple syllable constraint. I shall attempt to give a brief overview of the main points about haiku.
First off, the 5-7-5 syllable structure most often cited as being the sole 'structural rule' of haiku is based on the original Japanese constraint. However, the Japanese language and more
Literature
Nachmittag
Summer's final breath
Waltzes the brusque dawn away
To oblivion.
Literature
Be My Muse
Never love a poet.
Everything will mean..
so, so much more to them than it will
to you.
Never let a poet love you back.
They'll instill you with so much beauty (with their pen crushed to the paper),
that you'll scarcely recognize yourself in a picture
And you'll hate your reflection in a mirror, after seeing your reflection
in their eyes.
Suggested Collections
yeah. memory. fark. sorry, more head-ramble.
© 2011 - 2024 the-fourteenth-world
Comments8
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amazing (:
i love how memory is androgynous, it seems befitting, especially when everyone has to deal with it.
the metaphor is refreshing.. and i love how your work is so dark, but so lovely.
its enticing, like a temptress.
bravo (:
i love how memory is androgynous, it seems befitting, especially when everyone has to deal with it.
the metaphor is refreshing.. and i love how your work is so dark, but so lovely.
its enticing, like a temptress.
bravo (: